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Showing 1623 items.
52mm wide angle adapter ring
compatible with LEE standard filter holder and new LEE100 system holder.
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SERK Filter Holder for Lee Tiffen, Formatt H&K, Singh-Ray 4X4 4X5. 65 and most 100mm(4") filters
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The NEW LEE 100 Deluxe kit
filter holder
0.6 Medium ND grad
0.9 Hard ND grad
1.2 Medium ND grad
Big Stopper
Lee 100 Polarizer
3 filter pouch & wrap
ClearLEE filter wash
Clear LEE filter clotrh
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The LEE100 filter system holder for 100mm wide filters. It combines all the best aspects of our previous holder with a number of clever new features that are devised to make the experience of using filters quicker and more intuitive than ever.
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Filter Frame for LEE graduated filters – enables use of 100 x 150mm graduated filters.
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Filter Frame for LEE standard filters – enables use of 100 x 100mm standard filters and Stoppers. (New foamless Big and Little Stoppers are recommended to avoid vignetting).
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Std frame , grad frame and triple pouch kit
Existing LEE100 filters simply slot-in
Frames allow more of the filter's area to be used - critical for super-wide shots
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Introducing our new Holder specifically designed for the NIKKOR Z 14-24 f2.8 S lens.
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Spare filter blocks and removal tools for the new LEE100 Holder, are available as part of a comprehensive spares pack.
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A separation filter with maximum transmission above 610 nanometres. Also used for black and white contrast effects, haze penetration in aerial photography, and removing blue in infra-red photography
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Coral Filters were developed for the movie industry to give accurate colour temperature corrections with a bit of added red.
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Principally absorbs blue and red.
available in a range of colour densitys
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Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.
Coral Filters
Colours
Coral - Light
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Coral 4 Graduated
Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.
Coral Filters
Colours
Coral - Light
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Coral 6 Graduated
Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.
Coral Filters
Colours
Coral - Medium
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Coral 2 Graduated
Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.
Coral Filters
Colours
Coral - Light
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Coral 4 Graduated
Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.
Coral Filters
Colours
Coral - Light
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Coral 6 Graduated
Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.
Coral Filters
Colours
Coral - Medium
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Coral 3 Graduated
Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.
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Chocolate
Accentuates brown tones, such as autumn leaves and stone. Available with Hard or Soft gradation.
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Coral 3 Graduated
Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.
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Colour Grad Set
Available in optically correct resin. This set is for the 100mmx 150mm System, but individual filters are available in a range of sizes
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Straw strip: A greater yellow warm-up for landscapes.
Straw 2 Grad :A greater yellow warm-up for landscapes.
Mahogany 1:Enhances impression of dawn and evening light in skies; red sky at night
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Designed for the portrait, wedding or studio photographer, the Glass Soft Focus Filter
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An adaptor which joins two filter holders together allowing independent rotation of each holder.
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Fluorescent Correction
Available in high quality polyester for the 100mm System.
This system combines colour temperature conversions and green absorption into one filter, making it suitable for use in various fluorescent-lit conditions.
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Based on the type of net filter which is commonly used in cinematography, this set creates a subtle soft focus effect. Addtionally, the black net filters increase contrast, while the white net filters decrease it
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Nuetral Density Graduated Filter
Hard Grad
Density 0.3
Reduces exposure by 1 Stop
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Nuetral Density Graduated Filter
Hard Grad
Density 0.45
Reduces exposure by 1.5 Stops
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Nuetral Density Graduated Filter
Hard Grad
Density 0.6
Reduces exposure by 2 Stops
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Nuetral Density Graduated Filter
Hard Grad
Density 0.75
Reduces exposure by 2.5 Stops
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Nuetral Density Graduated Filter
Hard Grad
Density 0.9
Reduces exposure by 3 Stops
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Nuetral Density Graduated Filter
Hard Grad
Density 1.2
Reduces exposure by 4 Stops
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Nuetral Density Graduated Filter
Medium Grad
Density 0.3
Reduces exposure by 1 Stop
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Nuetral Density Graduated Filter
Mediun Grad
Density 0.45
Reduces exposure by 1.5 Stops
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Nuetral Density Graduated Filter
Mediun Grad
Density 0.6
Reduces exposure by 2 Stops
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Nuetral Density Graduated Filter
Mediun Grad
Density 0.75
Reduces exposure by 2.5 Stops
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Nuetral Density Graduated Filter
Mediun Grad
Density 09
Reduces exposure by 3 Stops
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Compatible with both digital and film photography
Whatever format you shoot, ND Grads help cameras record scenes more like we see them – with a broad tonal range that's lost if not captured in the moment
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Nuetral Density Graduated Filter
Soft Grad
Density 0.3
Reduces exposure by 1 Stop
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Nuetral Density Graduated Filter
Soft Grad
Density 0.45
Reduces exposure by 1.5 Stop
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Nuetral Density Graduated Filter
Soft Grad
Density 0.6
Reduces exposure by 2 Stop
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Nuetral Density Graduated Filter
Soft Grad
Density 0.75
Reduces exposure by 2.5 Stop
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Nuetral Density Graduated Filter
Soft Grad
Density 0.9
Reduces exposure by 3 Stop
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Nuetral Density Graduated Filter
Soft Grad
Density 1.2
Reduces exposure by 4 Stop
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150x100mm Very Hard Grad -
Set of three ND Grad filters
Densities 0.3, 0.6, 0.9
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Nuetral Density Graduated Filter
Very Hard Grad
Density 0.3
Reduces exposure by 1 Stop
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Nuetral Density Graduated Filter
Very Hard Grad
Density 0.45
Reduces exposure by 1.5 Stop
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Nuetral Density Graduated Filter
Very Hard Grad
Density 0.45
Reduces exposure by 1.5 Stop
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1.2 Neutral Density Very Hard Grad
Reduces exposure by 4 stops without affecting colour balance.
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Reverse ND filters are extremely useful, as they help to control the light in situations where the horizon is extremely bright 100x150 0.6ND
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Reverse ND filters are extremely useful, as they help to control the light in situations where the horizon is extremely bright 100x150 0.9ND
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Reverse ND filters are extremely useful, as they help to control the light in situations where the horizon is extremely bright 100x150 1.2ND
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The ProGlass ND is an extremely high quality glass ND standard filter optimised for use with digital cameras, but equally useful for film.0.6 ProGlass ND Standard
A glass filter that reduces exposure by 2 stops without affecting colour balance.
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The LEE ProGlass IRND range sets a whole new standard in high quality glass neutral density filters.
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The BIG Stopper is a high quality glass 10 stop long exposure filter. It reduces the amount of light entering your lens by 10 stops allowing you to use a much slower shutter speed or wider lens aperture.
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Foamless Big Stopper
A glass filter that reduces exposure by approximately 10 stops. This foamless version is designed for use with the new NIKKOR Z 14-24 f2.8 S Holder which has an integrated foam gasket to protect against light leaks.
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Foamless Little Stopper
A glass filter that reduces exposure by approximately 6 stops. This foamless version is designed for use with the new NIKKOR Z 14-24 f2.8 S Holder which has an integrated foam gasket to protect against light leaks.
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A solar eclipse is such a rare and captivating phenomenon; it’s only natural to want to capture it in a sequence of photographs.
100x100mm filter size
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STANDARD Adaptor ring
There are two types of LEE Filter adaptor ring:
one for general use, and one for wide-angle lenses
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STANDARD Adaptor ring
There are two types of LEE Filter adaptor ring:
one for general use, and one for wide-angle lenses
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STANDARD Adaptor ring
There are two types of LEE Filter adaptor ring:
one for general use, and one for wide-angle lenses
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STANDARD Adaptor ring
There are two types of LEE Filter adaptor ring:
one for general use, and one for wide-angle lenses
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STANDARD Adaptor ring
There are two types of LEE Filter adaptor ring:
one for general use, and one for wide-angle lenses
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Discontinued
Adaptor rings fit onto the lens to accommodate the filter holder or lens shade.
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STANDARD Adaptor ring
There are two types of LEE Filter adaptor ring:
one for general use, and one for wide-angle lenses
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STANDARD Adaptor ring
There are two types of LEE Filter adaptor ring:
one for general use, and one for wide-angle lenses
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The perfect solution for ultra wide-angle, medium and large format photography.
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The LEE Filters 100mm System 100mm Push-On Filter Holder is a specialist item for wide angle lenses with a 100mm lens barrel diameter. It can be converted to fit 90mm diameter using the LEE Filters 100mm System 100-90 Donut Adaptor (sold separately)
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For Lenses with 100mm Outside Diameter
Push-On Design, No Adapter Rings
Accepts 100mm-Wide Rectangular Filters
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Filters are an essential part of the photographer’s armoury, and
keeping them clean and dry is a priority. In the past, accessibility has sometimes been a problem, as keeping filters close to hand and safe at the same time isn’t always possible.
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Filters are an essential part of the photographer’s armoury, and
keeping them clean and dry is a priority. In the past, accessibility has sometimes been a problem, as keeping filters close to hand and safe at the same time isn’t always possible.
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The LEE Slotted Wide-Angle Lens Hood has much larger bellows to allow for effective shading on wide or particularly large lenses, where the standard hoods could cause vignetting
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DISCONTINUED
A zipped padded wallet which holds up to 10 resin filters, including graduates. A convenient and compact way of carrying several filters.
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Set of 10 plastic 2mm mounts for 100x100mm polyester filters, as supplied in Lee polyester sets, to avoid getting fingerprints on the filters.
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Filter mounts that allow 84mm filters, both square and oblong, to be used with the LEE Filter System.
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Adaptor rings fit onto the lens to accommodate the filter holder or lens shade.
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An ideal introduction to the comprehensive LEE Filters filter system, the new starter kit includes an assembled filter holder, a 0.6 ND grad, a cleaning cloth, and a Coral 3 grad with an extended coloured portion.
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As supplied in the Introduction Kit, this can be belt mounted, and holds a complete resin set, or a holder, two filters and rings.
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A microfibre pouch taking 3 filters (as supplied with resin filter sets), enabling secure protection with the minimum bulk. Can be written on.
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New lee filter hard protective tin case.This tin will take any 100 x 100mm filter
The 100mm Black Tin is available from LEE dealers only
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The 105mm Accessory Ring screws permanently into the front of a standard filter holder enabling a 105mm Rotating Polariser to be fitted.
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Polarising filters are used to manage light at wavelength scale, and if magnified could be likened to a series of microscopic slats
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LEE Filters have now introduced a slimline 105mm Landscape
Polariser. This new slimmer polariser will go down to 16mm without
vignetting when used with a two slotted filter holder on a full frame
35mm sensor.
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A new range of SW150 screw-in lens adaptors are now available. These adaptors work with both the original and Mark II Filter Systems, enabling either to be fitted to lenses with a screw-in filter thread.
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A new range of SW150 screw-in lens adaptors are now available. These adaptors work with both the original and Mark II Filter Systems, enabling either to be fitted to lenses with a screw-in filter thread.
77mm
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A new range of SW150 screw-in lens adaptors are now available. These adaptors work with both the original and Mark II Filter Systems, enabling either to be fitted to lenses with a screw-in filter thread.
82mm
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A new range of SW150 screw-in lens adaptors are now available. These adaptors work with both the original and Mark II Filter Systems, enabling either to be fitted to lenses with a screw-in filter thread.
86mm
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A new range of SW150 screw-in lens adaptors are now available. These adaptors work with both the original and Mark II Filter Systems, enabling either to be fitted to lenses with a screw-in filter thread.
95mm
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A new range of SW150 screw-in lens adaptors are now available. These adaptors work with both the original and Mark II Filter Systems, enabling either to be fitted to lenses with a screw-in filter thread.
105mm
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The SW150 Mark II fits via a lens adaptor that has been specifically designed for that particular lens (the adaptor is purchased separately from the filter holder).
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The SW150 Mark II fits via a lens adaptor that has been specifically designed for that particular lens (the adaptor is purchased separately from the filter holder).
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The SW150 Mark II fits via a lens adaptor that has been specifically designed for that particular lens (the adaptor is purchased separately from the filter holder).
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The SW150 Mark II fits via a lens adaptor that has been specifically designed for that particular lens (the adaptor is purchased separately from the filter holder).
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INDENT
The SW150 Mark II fits via a lens adaptor that has been specifically designed for that particular lens (the adaptor is purchased separately from the filter holder).
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The SW150 Mark II fits via a lens adaptor that has been specifically designed for that particular lens (the adaptor is purchased separately from the filter holder).
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IN STOCK
The SW150 Mark II fits via a lens adaptor that has been specifically designed for that particular lens (the adaptor is purchased separately from the filter holder).
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The SW150 Mark II fits via a lens adaptor that has been specifically designed for that particular lens (the adaptor is purchased separately from the filter holder).
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IN STOCK
The SW150 Mark II fits via a lens adaptor that has been specifically designed for that particular lens (the adaptor is purchased separately from the filter holder).
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IN STOCK
The SW150 Mark II fits via a lens adaptor that has been specifically designed for that particular lens (the adaptor is purchased separately from the filter holder).
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IN STOCK
The SW150 Mark II fits via a lens adaptor that has been specifically designed for that particular lens (the adaptor is purchased separately from the filter holder).
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16 Yellow Orange Standard
Gives even greater over-correction than No. 15. Absorbs a small amount of green.
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Coral 2 Graduated
Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.
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Coral 3 Graduated
Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation
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Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.
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Coral 9 Graduated
Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation
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Coral 12 Graduated
Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.
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The Neutral Density Set can be used with both digital and film cameras. The set contains graduated resin filters that enable the photographer to adjust exposure over part of the photograph without effecting colour balance.
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SET OF 3
Reduces exposure by 1.2 or 3 stops without affecting colour balance. Soft transition from dark to light.
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SW150 Polariser: Circular Effect
Ideal polariser for autofocus SLR cameras. Slots into the Filter Holder which is then rotated. Reduces exposure 1â…” stops when fully polarised.
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The Big Stopper
A glass filter that reduces exposure by approximately 10 stops.
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The Little Stopper is a neutral density filter that reduces the light entering your lens by six stops.
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A solar eclipse is such a rare and captivating phenomenon; it’s only natural to want to capture it in a sequence of photographs.
150x150 size
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The new Super Stopper works well in harsh midday sunlight - traditionally considered an unfavourable time to shoot.
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Photographers who already own the SW150 Mark I can purchase the Lightshield separately and retro fit it to their existing SW150 filter holder.
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For use with the Lee RF75 filter holder: contains three useful filters for colour photography. 0.6ND Grad Hard, 0.6ND and 81B Grad Hard.
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Our ND Standards reduce the exposure equally across the frame. This increases shutter speeds and blurs movement.
We offer ND filters with a full range of stopping powe
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Our ND Standards reduce the exposure equally across the frame. This increases shutter speeds and blurs movement.
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Our ND Standards reduce the exposure equally across the frame. This increases shutter speeds and blurs movement.
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Our ND Standards reduce the exposure equally across the frame. This increases shutter speeds and blurs movement.
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Our ND Standards reduce the exposure equally across the frame. This increases shutter speeds and blurs movement.
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Hard Neutral Density Grads
Perfect for horizons, or any hard transition between the sky and land. Gives great control over the exposure.
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Hard Neutral Density Grads
Perfect for horizons, or any hard transition between the sky and land. Gives great control over the exposure.
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Hard Neutral Density Grads
Perfect for horizons, or any hard transition between the sky and land. Gives great control over the exposure.
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Hard Neutral Density Grads
Perfect for horizons, or any hard transition between the sky and land. Gives great control over the exposure.
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Hard Neutral Density Grads
Perfect for horizons, or any hard transition between the sky and land. Gives great control over the exposure.
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The Reverse ND allows the exposure to be controlled precisely at the horizon line, where a sunrise or sunset is at its brightest, making it ideal for seascapes in particular.
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The Reverse ND allows the exposure to be controlled precisely at the horizon line, where a sunrise or sunset is at its brightest, making it ideal for seascapes in particular.
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The Reverse ND allows the exposure to be controlled precisely at the horizon line, where a sunrise or sunset is at its brightest, making it ideal for seascapes in particular.
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A solar eclipse is such a rare and captivating phenomenon; it’s only natural to want to capture it in a sequence of photographs.
75mm Sev5n size
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With its 15 stops of light-reducing power, the Super Stopper sits at the head of the Stopper family, joining the Big and Little Stoppers in the long-exposure photography revolution
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The adapter ring screws onto the cameras lens and, in turn, the filter holder clips onto the adapter ring.
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The 37.5mm adapter ring screws onto the cameras lens and, in turn, the filter holder clips onto the adapter ring.
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The 43mm adapter ring screws onto the cameras lens and, in turn, the filter holder clips onto the adapter ring.
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The 55mm adapter ring screws onto the cameras lens and, in turn, the filter holder clips onto the adapter ring.
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The 62mm adapter ring screws onto the cameras lens and, in turn, the filter holder clips onto the adapter ring.
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In the past keeping your Seven5 system components and filters easily accessible has been challenging. Now with our sturdy System Pouch your entire Seven5 filter system remains safe and close by when needed
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In the past keeping your Seven5 system components and filters easily accessible has been challenging. Now with our sturdy System Pouch your entire Seven5 filter system remains safe and close by when needed
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Seven5 Hood
The Seven5 Hood has been designed to snap easily to the front of the filter holder, and will shade the lens when you are out and about.
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For a brown-tinted monochrome appearance, which is less red than Chocolate. Available with Hard or Soft gradation.
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The Starter Kit contains one filter holder and one 0.6ND Hard Grad. The adaptor ring needs to be purchased separately.
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Triple Filter Wrap
Keeping your filters clean and free of scratches is of paramount importance.
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Includes warm up and combination filters, plus ProGlass neutral density standard filter ideal for digital sensors.
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Includes graduated neutral density and warm up filters, plus ProGlass neutral density standard filter ideal for digital sensors.
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Our Stopper filters are used for extending exposure times which has the effect of making anything that is moving become blurred or ghost like, for example clouds, waterfalls, rivers or the sea.
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Versatile Adaptor Rings
LEE85 Adaptor Rings are available in a range of thread sizes from 37mm up to 72mm, and are all suitable for wide-angle lenses.
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A great place to start. Discover the potential of contrast control with a Neutral Density Grad.
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Develop your photography with creative long-exposures and effective contrast control.
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For aspiring professionals who need to manage contrast and exposure in different lighting conditions.
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Our most comprehensive collection provides all you need for control, experimentation and creativity.
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Chasing the Light is an inspirational and educational DVD exploring the essentials of landscape photograph
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Eight leading landscape photographers have joined forces with LEE Filters, to produce Inspiring Professionals, a book in which top professionals pass on techniques and advice on using filtration in landscape photography.
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New from LEE Filters in collaboration with nine of the UK’s best-known and most highly respected photographers – Joe Cornish, Mark Denton, Paul Gallagher, John Gravett, Tom Mackie, David Noton, Charlie Waite, Jeremy Walker and David Ward.
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A quartet of filters which all absorb varying degrees of the blue and blue-green parts of the spectrum, creating different tones and contrasts of skies and foliage on black and white film.
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A filter which all absorb varying degrees of the blue and blue-green parts of the spectrum, creating different tones and contrasts of skies and foliage on black and white film.
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A range of filters recommended for use either in front of or behind the lens. They control the spectrum by reducing the transmission at specific wavelengths.
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A range of filters recommended for use either in front of or behind the lens. They control the spectrum by reducing the transmission at specific wavelengths.
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A range of filters recommended for use either in front of or behind the lens. They control the spectrum by reducing the transmission at specific wavelengths.
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IN STOCK
A range of filters recommended for use either in front of or behind the lens. They control the spectrum by reducing the transmission at specific wavelengths.
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IN STOCK
A range of filters recommended for use either in front of or behind the lens. They control the spectrum by reducing the transmission at specific wavelengths.
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IN STOCK
A range of filters recommended for use either in front of or behind the lens. They control the spectrum by reducing the transmission at specific wavelengths.
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A range of filters recommended for use either in front of or behind the lens. They control the spectrum by reducing the transmission at specific wavelengths.
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Four filters, each of which has a different effect on the tones in a black & white image by absorbing different quantities of colour in the blue and blue-green parts of the spectrum. These filters also can be used for special effects.
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This four-filter set is designed to balance the effect of any major colour temperature disparities between light source and film or sensor. This avoids the appearance of colour casts on the final image.
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Similar to the Colour Temperature Set, this set is designed to tackle less extreme colour shifts. It can also be used to introduce subtle warming or cooling effects to the final image.
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This set of filters ensures – when shooting daylight-balanced film under fluorescent light – that the result is neutral.
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A three-filter set to allow for shooting under fluorescent lighting when shooting tungsten-balanced film.
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Five CC Magenta filters, which are designed to absorb the green cast created by fluorescent lighting. They can be stacked one on top of another for greater absorption,
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The three filters in this set are designed to increase exposure without affecting the colour balance of the picture. They are compatible with all standard film types, and digital sensors.
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Four filters of increasing intensity, primarily used for introducing warmth into both landscapes and portraits.
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This range of filters absorbs varying degrees of ultraviolet radiation, which is the cause of haze and bluish casts in distant landscapes, water scenes and aerial photography.
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This range of filters absorbs varying degrees of ultraviolet radiation, which is the cause of haze and bluish casts in distant landscapes, water scenes and aerial photography.
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This range of filters absorbs varying degrees of ultraviolet radiation, which is the cause of haze and bluish casts in distant landscapes, water scenes and aerial photography.
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A selection of colour temperature orange (CTO) filters used to convert electronic flash or daylight to match tungsten lighting
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A selection of saturated effect colours for use on backgrounds and for accent lights
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A selection of our most popular diffusion materials used to create a wide variety of effects ranging from a subtle softening of the beam edge to creating a large shadowless area.
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A selection of our ever-popular range of cosmetic filters to enhance skin tones while simultaneously softening the light
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A selection of colour tempertaure blue (CTB) filters used to convert tungsten lights to daylight or electronic flash.
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A starter pack for exploring the basics of colour addition and subtraction
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Original Pack
Create 50 colours from 12.
1 x sheet of each colour – 250mm x 300mm (10" x 12").
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Paler shades to give more subtle effects and to filter white light from the lamp
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A selection of strong and vibrant colours for more intense colour combinations
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Lighting filters which complement the original colour magic pack to create alternative shades
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The Lee Filters Pro-pack contains 23 specially selected different sheets of filter material, and represents a versatile package for the studio.
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Containing reflectors in mirror gold, mirror silver, soft gold and soft silver, the sheets are all manufactured from the same high quality, lightweight and flexible material that you would expect from Lee Filters.
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Lee Filters 027 Medium Red sheet Sheet
Lee Filters provide high-quality lighting
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Lee Filters 027 Medium Red Roll Roll Size 7.62m x 1.22m (25' X 48") Lee Filters provide high-quality lighting
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