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A quartet of filters which all absorb varying degrees of the blue and blue-green parts of the spectrum, creating different tones and contrasts of skies and foliage on black and white film.
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A filter which all absorb varying degrees of the blue and blue-green parts of the spectrum, creating different tones and contrasts of skies and foliage on black and white film.
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A range of filters recommended for use either in front of or behind the lens. They control the spectrum by reducing the transmission at specific wavelengths.
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A range of filters recommended for use either in front of or behind the lens. They control the spectrum by reducing the transmission at specific wavelengths.
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IN STOCK
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A range of filters recommended for use either in front of or behind the lens. They control the spectrum by reducing the transmission at specific wavelengths.
More...
Order
IN STOCK
![]()
A range of filters recommended for use either in front of or behind the lens. They control the spectrum by reducing the transmission at specific wavelengths.
More...
Order
IN STOCK
![]()
A range of filters recommended for use either in front of or behind the lens. They control the spectrum by reducing the transmission at specific wavelengths.
More...
Order
IN STOCK
![]()
A range of filters recommended for use either in front of or behind the lens. They control the spectrum by reducing the transmission at specific wavelengths.
More...
Order
IN STOCK
![]()
A range of filters recommended for use either in front of or behind the lens. They control the spectrum by reducing the transmission at specific wavelengths.
More...
Order
IN STOCK
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Four filters, each of which has a different effect on the tones in a black & white image by absorbing different quantities of colour in the blue and blue-green parts of the spectrum. These filters also can be used for special effects.
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This four-filter set is designed to balance the effect of any major colour temperature disparities between light source and film or sensor. This avoids the appearance of colour casts on the final image.
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Similar to the Colour Temperature Set, this set is designed to tackle less extreme colour shifts. It can also be used to introduce subtle warming or cooling effects to the final image.
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This set of filters ensures – when shooting daylight-balanced film under fluorescent light – that the result is neutral.
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A three-filter set to allow for shooting under fluorescent lighting when shooting tungsten-balanced film.
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Five CC Magenta filters, which are designed to absorb the green cast created by fluorescent lighting. They can be stacked one on top of another for greater absorption,
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The three filters in this set are designed to increase exposure without affecting the colour balance of the picture. They are compatible with all standard film types, and digital sensors.
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Four filters of increasing intensity, primarily used for introducing warmth into both landscapes and portraits.
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This range of filters absorbs varying degrees of ultraviolet radiation, which is the cause of haze and bluish casts in distant landscapes, water scenes and aerial photography.
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This range of filters absorbs varying degrees of ultraviolet radiation, which is the cause of haze and bluish casts in distant landscapes, water scenes and aerial photography.
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This range of filters absorbs varying degrees of ultraviolet radiation, which is the cause of haze and bluish casts in distant landscapes, water scenes and aerial photography.
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IN STOCK
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