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Showing 63 items.
A separation filter with maximum transmission above 610 nanometres. Also used for black and white contrast effects, haze penetration in aerial photography, and removing blue in infra-red photography
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Coral Filters were developed for the movie industry to give accurate colour temperature corrections with a bit of added red.
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Principally absorbs blue and red.
available in a range of colour densitys
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Fluorescent Correction
Available in high quality polyester for the 100mm System.
This system combines colour temperature conversions and green absorption into one filter, making it suitable for use in various fluorescent-lit conditions.
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The ProGlass ND is an extremely high quality glass ND standard filter optimised for use with digital cameras, but equally useful for film.0.6 ProGlass ND Standard
A glass filter that reduces exposure by 2 stops without affecting colour balance.
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The LEE ProGlass IRND range sets a whole new standard in high quality glass neutral density filters.
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The BIG Stopper is a high quality glass 10 stop long exposure filter. It reduces the amount of light entering your lens by 10 stops allowing you to use a much slower shutter speed or wider lens aperture.
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Foamless Big Stopper
A glass filter that reduces exposure by approximately 10 stops. This foamless version is designed for use with the new NIKKOR Z 14-24 f2.8 S Holder which has an integrated foam gasket to protect against light leaks.
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Foamless Little Stopper
A glass filter that reduces exposure by approximately 6 stops. This foamless version is designed for use with the new NIKKOR Z 14-24 f2.8 S Holder which has an integrated foam gasket to protect against light leaks.
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A solar eclipse is such a rare and captivating phenomenon; it’s only natural to want to capture it in a sequence of photographs.
100x100mm filter size
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Filters are an essential part of the photographer’s armoury, and
keeping them clean and dry is a priority. In the past, accessibility has sometimes been a problem, as keeping filters close to hand and safe at the same time isn’t always possible.
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Filters are an essential part of the photographer’s armoury, and
keeping them clean and dry is a priority. In the past, accessibility has sometimes been a problem, as keeping filters close to hand and safe at the same time isn’t always possible.
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As supplied in the Introduction Kit, this can be belt mounted, and holds a complete resin set, or a holder, two filters and rings.
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A microfibre pouch taking 3 filters (as supplied with resin filter sets), enabling secure protection with the minimum bulk. Can be written on.
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New lee filter hard protective tin case.This tin will take any 100 x 100mm filter
The 100mm Black Tin is available from LEE dealers only
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Polarising filters are used to manage light at wavelength scale, and if magnified could be likened to a series of microscopic slats
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LEE Filters have now introduced a slimline 105mm Landscape
Polariser. This new slimmer polariser will go down to 16mm without
vignetting when used with a two slotted filter holder on a full frame
35mm sensor.
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A filter which all absorb varying degrees of the blue and blue-green parts of the spectrum, creating different tones and contrasts of skies and foliage on black and white film.
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A range of filters recommended for use either in front of or behind the lens. They control the spectrum by reducing the transmission at specific wavelengths.
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